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		<id>https://wiki.haxogreen.lu/2016/w/index.php?title=User:MichaelaSutcliff&amp;diff=125758</id>
		<title>User:MichaelaSutcliff</title>
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		<summary type="html">&lt;p&gt;MichaelaSutcliff: Created page with &amp;quot;&amp;lt;br&amp;gt; Singers use artistic conventions to construct marketable music personas.[https://bit.ly/Bet9jaWelcomeBonus bit.ly] But that’s not the full picture.[https://register.bet...&amp;quot;&lt;/p&gt;
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&lt;div&gt;&amp;lt;br&amp;gt; Singers use artistic conventions to construct marketable music personas.[https://bit.ly/Bet9jaWelcomeBonus bit.ly] But that’s not the full picture.[https://register.bet9ja.com/?promocode=yohaig bet9ja.com]  In the US, for example, most American hip-hop and [https://register.bet9ja.com/?promocode=yohaig rap songs] are also a reflection of the artistes’ living experiences and social communities. These mainly involve gang violence, street hustling and thug life. The late rapper, Notorious B.I.G., summarised a part this succinctly in his song &amp;quot;Juicy&amp;quot;:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Yea, this album is [https://bit.ly/Bet9jaPromotionalCode dedicated] to all the teachers that told me I’d never amount to nothing, to all the people that lived above the buildings that I was hustling in front of that called the police on me when I was just trying to make some money to feed my [https://register.bet9ja.com/?promocode=yohaig daughter].&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;[https://register.bet9ja.com/?promocode=yohaig Current Nigerian] hip-hop artistes also reflect on socioeconomic realities in their songs, performances and records. This landscape includes cyber-criminals, commonly known as &amp;quot;Yahoo Boys&amp;quot; - the people who set up [https://register.bet9ja.com/?promocode=yohaig fake internet] accounts with the express intention of defrauding their victims.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In a recently published paper I tried to unpack the complexity of the relationship between Nigerian musicians and Yahoo Boys by analysing hip-hop lyrics that [https://bit.ly/Bet9jaWelcomeBonus feature] the cyber fraudsters. While many Nigerian hip-hop artists glamorise Yahoo Boys, some also [https://bit.ly/Bet9jaPromotionalCode condemn] them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;In my study, I concluded that as the world staunchly condemns Yahoo Boys it should also consider the social environment from which they have emerged.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Through [https://bit.ly/Bet9jaPromotionCode2021 analysing] the lyrics of hip-hop artists, I argue that Yahoo Boys are a reflection of Nigerian society and that hip-hop artists, with all their flaws, are often simply attempting to hold a mirror up to these complicated times in [https://jobberman.com Nigeria]. In that way, they follow in the footsteps of the hip-hop greats.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The lyrics&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I examined lyrics from 2007 to 2017 involving 18 hip-hop artists.[https://bit.ly/Bet9jaPromotionalCode bit.ly] The theme I sought out in all the songs was the glamorisation of cyber-fraud and . All the songs I studied were by male singers apart from one entitled, &amp;quot;Maga no need pay,&amp;quot; which involved seven [https://bit.ly/Bet9jaPromotionalCode multiple artists]. This was due to the fact that fewer women celebrated Nigerian men who have become wealthy through cyber-fraud. Clearly, [https://bit.ly/Bet9jaPromotionCode2021 gender cultures] apply online as they do offline.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;One question I was keen to answer was whether the songs were similar - or different - to other cultural expressions in Nigerian music in general.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Historically, before the emergence and commercialisation of the Nigerian hip-hop, a common subject in many [https://bit.ly/Bet9jaPromoCode Nigerian] [https://bit.ly/Bet9jaPromotionCode2021 music genres] - such as high life - was wealthy individuals.[https://bit.ly/Bet9jaWelcomeBonus bit.ly] How they acquired their wealth - legally or illegally - was immaterial. For example, research shows that a high life singer, Ogbogu Okonji, in his song &amp;quot;Alusi Ego,&amp;quot; meaning the god(dess) of money, personified a ‘prominent’ lawyer, [https://bit.ly/Bet9jaHowToRegister Fred Ajedua] as the God of money.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I argue that the glamorisation of Yahoo Boys hip-hop music is a continuation of this tradition, and merely reflects the social communities that created them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The one big difference is that Yahoo Boys are portrayed differently to other influential or otherwise cultural figures. For example, the lyrics make a sharp contrast between [https://videoboys.in Yahoo Boys] and other [https://bit.ly/Bet9jaWelcomeBonus criminals] whom they refer to as &amp;quot;thieves.&amp;quot; This comparison is aimed at suggesting that some fraudulent activities - such as cyber-fraud - is [https://bit.ly/Bet9jaPromoCode benevolent] while other criminal actions are malevolent and should be condemned.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I also point out that, while it’s appropriate to condemn the fraudulent activities of Yahoo Boys, it’s worth noting that many [https://bit.ly/Bet9jaPromotionCode2021 Nigerians] who claim to be &amp;quot;law abiding&amp;quot; are involved in different kinds of theft, such as corruption and fraud and the embezzlement of public funds.[https://bit.ly/Bet9jaPromotionalCode bit.ly] The point I make is that the line [https://bit.ly/Bet9jaHowToRegister dividing] these people and [https://videoboys.in Yahoo Boys] is blurred.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Justifications&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;To understand the relationship between cyber-fraud (yahoo-yahoo) and Nigerian hip-hop music I used the idea of moral disengagement - that people don’t ordinarily engage in reprehensible conduct until they have justified to themselves the rightness of their actions.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;People use many different kinds of justifications. They include blaming the victims of crime for their plight.[https://register.bet9ja.com/?promocode=yohaig bet9ja.com] For example, Yahoo Boys, as represented in music lyrics, commonly refer to their victims as greedy.  By doing this they minimise their own responsibility.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Equally, Yahoo Boys diminish the harm they cause by shifting responsibility to circumstances beyond their control, such as poverty and unemployment.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;This isn’t new. Socioeconomic realities have often been reflected in music and culture. And in the case of [https://bit.ly/Bet9jaPromoCode Nigerian hip-hop] lyrics, it’s possible that some songs, may provide ways for listeners to appreciate cyber-fraud (yahoo-yahoo).&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;I’m not suggesting that [https://bit.ly/Bet9jaPromotionCode2021 hip-hop] causes crime. What I’m arguing is that they offer vivid vocabularies of motive, which justify cyber-fraudulent activities and provide a way for listeners to understand and appreciate them.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Stop by my blog post; [https://register.bet9ja.com/?promocode=yohaig yahoo yahoo boys]&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>MichaelaSutcliff</name></author>	</entry>

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